Donations  |       
Vinko Globokar’s Atemstudie for solo oboe: Analysis and performance guide
Author:
Cyzak, David J.
Degree:
Doctor of Musical Arts in Music with a concentration in Performance and Literature
University:
Graduate College of the University of Illinois at Urbana-Champaign
Committee:
Professor John Dee, Chair; Professor Erik Lund, Director of Research; Professor Timothy McGovern; Clinical Assistant Professor Andrea Solya
Year:
2016
Abstract:
This thesis provides an analysis and performance guide to Vinko Globokar’s solo
oboe work Atemstudie. As both of Globokar’s oboe works—Discours III for five oboes
(1969) and Atemstudie for solo oboe (1971)—were written for Heinz Holliger, and
composed in close proximity, I will elucidate their relationship with an overview of
Discours III. While current scholarship provides analyses of some of Globokar’s works, as
well as his thoughts on improvisation, no such analysis exists for Atemstudie or its
treatment of the oboe. My interviews with Globokar regarding these topics will expand
upon the currently available scholarship contributing otherwise unwritten experiences and
performance expectations. With a greater understanding of Vinko Globokar and the
historical context of these works, the intent and spirit of his compositions can be more fully
realized.
Instrument:Oboe
Category:Bibliographies & Literature Reviews, History, Literature - Chamber, Literature - Solo, Theory and Composition
Keywords:
Vinko Globokar, Heinz Holliger, Vinko, Globokar, Avante-garde, Contemporary, Oboe, Heinz, Holliger, Trombone, English Horn, Illinois, Slovenia, Slovene, Atemstudie, Discours, Speak, Play, 12 Tone, Matrix, twelve-tone, music theory, extended technique, circular breathing, Cyzak, ingressive playing, respiration, Luciano Berio, René Leibowitz, performance practice, buzz, alla tromba, Erik Lund, Quintet, Solo Oboe, 1969, 1971
Language:English
Pages:
80
Access Information:
http://hdl.handle.net/2142/94707
Back to Bibliography