From “a doubtful privilege” to “the solo in every concert” : the oboist’s tuning-A in John Corigliano’s “Tuning Game” September 1, 2024
Arundo donax or Bust? A Preliminary Investigation Into Alternative Natural Materials for Oboe Reeds August 30, 2024
The Lilien Partbooks in the Sonsfeld Collection: A Primary Source of Music for Hautboisten in the 18th-Century Prussia January 18, 2023
Repertoire for a Swedish Bassoon Virtuoso: Approaching Early Nineteenth-Century Works Composed for Frans Preumayr with an Original Grenser & Wiesner Bassoon January 8, 2023
A Critical Edition of the 48 Studies for Oboe, Op. 31 by Franz Wilhelm Ferling (1796-1874), Based on Original Historical Evidence and Viewed Within the Context of the Evolution of Didactic Material for Oboe, with Particular Reference to Nineteenth-Century Performing Practices September 10, 2022
Eighteenth and Nineteenth Century Bassoon Tutors and Their Published Contributions to Bassoon Pedagogy May 15, 2022
From Dionysus to Die Walküre: The Ancient Greek Aulos as a Key to Wagner’s Writing for the Oboe and English Horn January 27, 2021