Haciendo/creando el Aprendizaje del Oboe: Aplicación Experimental de la Improvisación y la Creación en la Clase de Música de Cámara y de Conjunto en el Conservatorio. Acciones Estratégicas (2014-2017) [Building/creating the Learning of the Oboe: Experimental Implementation of Improvisation and Creation in Chamber Music and Group Music in a Conservatory. Strategic Actions (2014-2017)] January 15, 2020
Influencias en la Percepción Sonora y en la Interpretación del Rebajado de la Lengüeta del Oboe January 15, 2020
Transitioning to the Oboe: Methods and Resources to Assist in Switching to the Oboe from Other Woodwind Instruments January 14, 2020
Thematic Continuity and Melodic Recycling in Herbert Howells’s Sonata for Oboe and Piano (1942) January 14, 2020
Politics and Poetry: The English Horn as the Voice of the Irish Bard in Arnold Bax’s Sextet In Memoriam (1916) January 12, 2020
Jennifer Higdon’s Oboe Concerto: The Composition, Transformation, and a Performer’s Analysis January 9, 2020
Crystal Clear: A Performance Guide and Electronic Accompaniment of Mario Lavista’s Marsias for Oboe and Crystal Glasses December 18, 2019
