Arundo donax or Bust? A Preliminary Investigation Into Alternative Natural Materials for Oboe Reeds August 30, 2024
As 16 Valsas para Fagote Solo de Francisco Mignone: Transcrição para o Contrabaixo [The 16 Waltzes for Solo Bassoon by Francisco Mignone: Transcription for Double Bass] January 19, 2023
The Lilien Partbooks in the Sonsfeld Collection: A Primary Source of Music for Hautboisten in the 18th-Century Prussia January 18, 2023
Repertoire for a Swedish Bassoon Virtuoso: Approaching Early Nineteenth-Century Works Composed for Frans Preumayr with an Original Grenser & Wiesner Bassoon January 8, 2023
Unterrichtsstrategien bei Solokadenzen am Beispiel von Mozarts Fagottkonzert B-Dur, KV 191 [Teaching Strategies for Solo Cadenzas Using the Example of Mozart’s Bassoon Concerto in B-Flat Major, KV 191] January 8, 2023
Raspagens de Palhetas por Oboístas Brasileiros: Um Estudo dos Ajustes nas Palhetas de Oboé sob a Ação de Agentes Climáticos Externos [Reed Scraping by Brazilian Oboists: A Study of Adjustments in Oboe Reeds Under the Action of External Climatic Agents] December 18, 2022