F#3. Avery, Mark. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 68.
Db F# / x x | x x x F w E F#
F#3. Bartolozzi, Bruno. New Sounds for Woodwind. London: Oxford University Press, 1971, p.34. Different timbres of the same note.
Light: Open: eb(trill key) o x x | x x x F o o o | o o o c# Closed-dark: Dark: eb eb o o o | o o o o o o | o o o c# Open-light: Open-dark: eb(trill key) o o o | x x o F o o o | x x o F Bb Bb
F#3. Corey, Gerald. To the World's Bassoonists 4/2 (1974[75]): 4. For rapid technical passages.
eb x o o | o o o w
F#3. Fredericksen, Jens. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 70.
x / x | x x x F w F#
F#3. Peeples, Georgia. "Playing Pianissimo: Mute Fingerings for the Bassoon." NACWPI Journal 62/2 (Winter 1993-1994): 14. Cooper p. 112
F# / x x | x x x F w E F#
F#3. Steinmetz, John. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 55.
Eb / x x | x x x w F# D
F#3. Swanson, Robert. "Pictorial Bassoon Fingerings." Woodwind Magazine 3/10 (June 1951): 5.
F# / x x | x x x F w
F#3. Swanson, Robert. "Pictorial Bassoon Fingerings." Woodwind Magazine 3/10 (June 1951): 5. Same as Cooper p. 117 but add either L. H. E half-hole or cover L. H. D hole.
(/)(x) o | x x x F w
F#3. Swanson, Robert. "Pictorial Bassoon Fingerings." Woodwind Magazine 3/10 (June 1951): 5. Same as Cooper p. 114 except no R. H. G key.
eb x o o | o o o w
F#3. Swanson, Robert. "Pictorial Bassoon Fingerings." Woodwind Magazine 3/10 (June 1951): 5.
eb x o o | x x x F w
F#3. Tilson, Lawrence. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 56.
Eb / x x | x x x F w F#
F#3. Wadin, Edward. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 65. Same as Cooper p. 117 except no whisper key. Same for French Bassoon.
o o o | x x x F