F#2. Dundas-Grant, Dierdre. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 73.
x x x | x x x F w E F#
F#2. Cooper, L. Hugh. The Double Reed 2/3 (December 1979): 17. de Gomar, Juan. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 55. Peeples, Georgia. "Playing Pianissimo: Mute Fingerings for the Bassoon." NACWPI Journal 62/2 (Winter 1993-1994): 14. Steinmetz, John. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 69. Whitehead, Charles. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 57. For pianissimo same as Cooper p. 30.
F# x x x | x x x F (w) E F#
F#2. Cooper, L. Hugh. The Double Reed 2/3 (December 1979): 17. For pianissimo.
Eb F# x x x | x x x F w D
F#2. Rath, Carl. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 55.
Eb x x x | x x x w F# D