F3. Bartolozzi, Bruno. New Sounds for Woodwind. London: Oxford University Press, 1971, p. 45. Different timbres for the same note.
o o o | o o o And o o o | o o o w w Bb B C D
F3. Bly (Herrick, Arthur). In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 72.
o o o | o o x w
F3. Cooper, L. Hugh. To the World's Bassoonists 5/1 (1975): 5. Cooper gives four variations upon Cooper p. 107 for pianissimo playing.
o o o | o o o E Bb o o o | o o x F E Bb o o o | x o o F E Bb o o o | x o x F E Bb
F3. Corey, Gerald. To the World's Bassoonists 5/1 (1975): 5. For Pianissimo.
o o o | o o o F E
F3. Corey, Gerald. To the World's Bassoonists 5/1 (1975): 5. For morendo from G3 add R. H. little finger Ab key.
o o o | o o o Ab w
F3. Ewell, Terry B. (20 August 1994). Goodman, Alan. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 73. Polonchak, Richard M. "What Directors Should Know about Bassoonist in the Band." The Instrumentalist 30/9 (April 1976): 26-27. Ramey, Richard. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 60. For pianissimo.
o o o | o o o w E
F3. McAuliffe, Joseph. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 63. For pianissimo.
o o o | o o o F w (lock?) Bb B C D
F3. Millard, C. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 67. Slowly close R. H. E key for diminuendo to pianissimo.
o o o | o o o w E--close slowly D
F3. Peeples, Georgia. "Playing Pianissimo: Mute Fingerings for the Bassoon." NACWPI Journal 62/2 (Winter 1993-1994): 15.
o o o | o o x w
F3. Peeples, Georgia. "Playing Pianissimo: Mute Fingerings for the Bassoon." NACWPI Journal 62/2 (Winter 1993-1994): 15.
o o o | o o x E
F3. Swanson, Robert. "Pictorial Bassoon Fingerings." Woodwind Magazine 3/10 (June 1951): 5. Same as Cooper p. 98, but you may add either R. H. F# key or R. H. G key.
o o o | o o (x) w (F#)
F3. Turkovic, Milan. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 70. L. H.: whisper key. R. H.: G key. For a darker, more stable sound.
o o o | o o x w