Eb5. Bedford, Judith. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 63.
c# / x x | o o o F c#
Eb5. Bettez, Michel. (22 February 1997).
/ x x | o o o Ab a
Eb5. Carter, Gene. (22 October, 1997). Intonation is slightly flat, but good for staccato, sluring, or starting a phrase.
o x x | o x o c# F#
Eb5. Cooper, L. Hugh. "Bassoon Clinic Series, Part Four," Etude: the Music Magazine 47/6 (June 1949): 356.
eb(Eb) o o x | o o x Ab c
Eb5. Cooper, L. Hugh. To the World's Bassoonists 7/3 (1977): 5. Same as Cooper p. 347 except no R. H. G key.
Eb o o x | o o o Ab d
Eb5. Carroll, David. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 64. Also, Corey, Gerald. (04 February 1997). "A strong Eb called the Old German' ". Same as Cooper p. 353 (use R. H. C# trill key).
c# / x x | o o o Ab c#
Eb5. Corey, Gerald. The Double Reed 6/1 (Spring 1983): 9.
eb Eb o o x | o o x Ab d
Eb5. Elliot, Thomas C. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 65. The right hand little finger F# may be substituted for the thumb F#.
eb o o o | o o x d F#
Eb5. Hardisty, Donald M. "Tuning those Bassoons: Part II--Tuning Individual Notes and Registers." The Instrumentalist 36/8 (March 1982): 72.
Eb o / x | o o x F
Eb5. McAuliffe, Joseph. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 65.
eb x o x | o o o Ab c Bb
Eb5. McIntyre, Richard. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 66.
eb o x x | o o o c#
Eb5. Morelli, Frank. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 57. "Good chromatic to get to full High E fingering. In other words, full High E without the right hand."
Eb
/ x x | o o o
D
Eb5 Wangler, Steven. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 74.
Eb o o x | o o x Ab d Bb