E5. Beasley, Rule. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 63.
/ x x | x x x c# D
E5. Bedford, Judith. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 63.
c# / x x | o o o F c#
E5. Bettez, Michel. (22 February 1997).
/ x x | x x x a
E5. Brightman, Kay. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 63.
e c#
o x x | o o o Ab
F# Ab
E5. Cooper, L. Hugh. To the World's Bassoonists 7/3 (1977): 5. See correction in The Double Reed 1/2 (October 1978): 13.
eb Eb c# o o o | o o o Ab a Bb
E5. Cooper, L. Hugh. The Double Reed 1/2 (October 1978): 13.
eb Eb o o x | o o o Ab a Bb
E5. Cooper, L. Hugh. The Double Reed 1/3 (December 1978): 30.
E5 without E key. Also in Timm, Everett LeRoy. The Woodwinds; Performance and Instructional Techniques. Boston: Allyn and Bacon, 1964, p. 170:
/ x x | x x x c#
E5 with E key:
e (eb)Eb o o x | o o o Ab d
E5. Corey, Gerald. The Double Reed 6/1 (Spring 1983): 9.
eb o x x | o x x c#
E5. Corey, Gerald (Bernard Garfield) 1998. I call this the "Garfield High E" because Bernard Garfield showed it to me many years ago. It speaks perfectly in tune, and is a little more resistant to speak than the "old German fingering" (/ x x | x x x plus LH thumb c#).
e o x x | o x x d
Another fine E4 fingering not employing the use of a high E key:
eb o x x | o x x c# D
E5. Corey, Gerald (13 Dec. 1998). This is a superb fingering for high E5 on the German -system bassoon. It proves extremely useful in passages in both the Henri Tomasi Concerto and the André Jolivet Concerto--for the Jolivet concerto ending of movement I, with a fast running passage to the high F5.
e Eb c# o o o | o o o Ab d Bb
E5. Elliot, Thomas C. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 65.
e c# o o o | o o o d Ab
E5. Hale, T. Geoffrey. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 66.
x x x | x x x c# D
E5. Kubey, Arthur. The Double Reed 6/1 (Spring 1983): 9.
eb o x x | o x x c# E eb o x x | o x x c# eb c# o x x | o x x c# E
E5. McIntyre, Richard. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 66.
eb o x x | o x x c#
E5. Scheller, Stanley. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 69.
e c# o o o | o o o d F#
E5. Schink, William. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 69. Same as Cooper p. 356.
1/4 x x | x x x
c#
E5. Timm, Everett LeRoy. The Woodwinds; Performance and Instructional Techniques. Boston: Allyn and Bacon, 1964, p. 170.
eb c#
x o x | o o x Ab
c
eb
o x x | o o o Ab
c F#
eb c#
o x (x)| o o o Ab
c# F#
Eb
/ x (x)| x x o Ab
c# Bb
Either R. H. little finger or thumb Ab:
eb c#
o x o o | o o Ab
d or c
(Eb) Bb
/ x x |(x) x o F#
c#
(Eb) Bb
/ x x |(x) x o
c# E F#
Eb Bb
o x o | o x o
E F#
/ x x | x x x
c# E
/ x x | x x o F
c# E
Use either R. H. little finger or thumb Ab:
/ x x | x x x F Ab
c#
Eb Bb
/ x (x)| x x o
a c# Ab
E5. Wangler, Steven. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 74.
e eb Eb o o o | x x x Ab d Bb
E5. Waterhouse, William. In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974, p. 63.
eb c# / x x | o o o Ab c#